Steven Soderbergh’s new chiller takes place in one of the most troubled of all movie locations: an outwardly normal family ...
Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...
Steven Soderbergh’s Presence is being marketed as a horror movie, but there’s one thing audiences should know before they ...
By confining the camera perspective to the viewpoint of its unseen ghost, director Steven Soderbergh scores with a crafty ...
The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even ...
They’re selling “Presence” as a horror movie when it’s something else entirely: a ghost story as told from the point of view ...
We see the action unfold only from the point of view of the mysterious titular entity – a neat idea, but where are the chills ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
Presence” — 2 stars In Steven Soderbergh’s gimmicky, unscary ghost story “Presence,” we the audience become the supernatural ...
Presence is a more delicate and nuanced haunted house movie that takes a more elevated route to horror as opposed to more ...
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” The ...
A stressful haunted house flick with a unique framing device and a horrifying denouement, Presence isn’t so much a film about a ghost, but instead, a film shot entirely from the perspective of one. I ...