CB: What mocap technology did you use for SPINE, and how did it influence the realism and fluidity of the character animations? Evgeniy Khapugin: We use every motion capture tool ...

Animbot is a plugin for Maya that offers an enormous range of features to simplify an animator’s life – adjusting keys, reducing amplitudes, parenting objects without breaking the rig, and so on. If ...

Naoko Yamada tells IndieWire about her new animated film and why the CG versus hand-drawn conversation isn't a thing in Japan ...

To get an idea of how the director put the LEGO pieces together ... MN: No, it’s not normal to be able to see ghosts on camera, but in animation, sure, why not? That’s the animation part is that you ...

Six directors behind some of the most acclaimed animated films of the year discuss why they fell in love with movies, the ...

Mediha' director Hasan Oswald talks about how his camera became subject Mediha Alhamad’s "best friend" in an awards-season ...

Vladimir and Olga hope for a child, but this expectation soon turns into a nightmare in this eerie short where dreams and ...

Based on the director's memories of her childhood in Iran, 'And Granny Would Dance' is a beautifully woven tale of love, grief and resilience across generations, infused with music, dance, and ...

Gints Zilbalodis explains the post-apocalyptic future in his beautiful animated feature ...

Why Barry Jenkins gave up his improvisational shooting style to spend four years making Mufasa on a soundstage.

Actor Capture has worked on “Lyle, Lyle Crocodile,” “The Suicide Squad” and “Creed III,” among other projects that have taken them as far as Taipei, Vancouver and South Korea.

Director Simon Otto tells IndieWire how Richard Curtis saved a montage in the Netflix movie with the Ed Sheeran song 'Under ...