The son of a 13-time Oscar-nominated cinematographer, he worked on movies including ‘Animal House,’ ‘Coming to America,’ ...

Folsey Jr. collaborated frequently with director John Landis. Over the course of his five-decade career, he went on to edit ...

How the team behind the Oscar contender managed to make a three-hour-plus film feel significantly shorter. David Jancso is so ...

But behind the scenes, a close friend and Zelenskyy's longtime film editor told Insider that the real "Volodya" is humble, peaceful, and lacks any kind of "celebrity remove." David Dodson ...

In this episode of Editors on Editing, Glenn Garland interviews Nick Emerson about his work editing the film “Conclave,” ...

Joi McMillon, the first Black woman nominated for an Oscar in film editing, once again teamed up with director Barry Jenkins ...

See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired ...

"We're very excited that we're rapidly approaching the time where we're going to have the final, finished movie for 'Down to the Felt,'" said Jon Osbeck, who serves not only as the film's director but ...

George Folsey Jr, the veteran film editor and producer who worked closely with John Landis on movies including Animal House, The Blues Brothers, Coming to America and the ill-fated Twilight Zone ...

The son of Oscar-nominated cinematographer George J. Folsey was also a producer on "Animal House" and Michael Jackson's ...