The director Bong Joon-ho’s new movie, Mickey 17, at first seems like a major pivot from his previous one, 2019’s Parasite. After winning Best Picture at the Oscars for the domestic (if gonzo) Korean black comedy,

From croissants to puppies in 'little cute hoodies,' filmmaker Bong Joon Ho talks about the conceptualization of the creepers in 'Mickey 17.'

When Bong Joon Ho took the stage of the 92nd Academy Awards to accept the Best Director Oscar for “Parasite,” his speech — about the power of foreign cinema, and how “Once you overcome the one-inch tall barrier of subtitles,

Nobody could be sadder than I am to report that Mickey 17 is a disappointment. I’ve been waiting eagerly for many months to see this latest effort by writer-director Bong Joon-ho (Parasite, Snowpiercer,

Of course Bong Joon Ho is an environmentalist. He recycles his own ideas."Mickey 17," a sloppy but enjoyable sci-fi comedy set in the year 2054, mashes together the monsterphobia of "The Host," the animal-rights activism of "Okja,

The "Mickey 17" director tells IndieWire about how wanting raw and real performances can conflict with meticulously planned shots, and missing actors now that he's working in animation.