Over the last couple of decades, animated features have pushed the boundaries of art, storytelling and the box office. “Flow” ...

Catriona walks us through the creation of the beloved cartoon’s scenery and backgrounds, from its dollhouse proportions and ...

Kenji Iwaisawa discusses evolving rotoscope techniques, balancing indie and commercial methods and crafting '100 Meters' with a larger, skilled team.

Your art director, Keikankun Yamaguchi, also worked with you during “On-Gaku”— how was it to work together again on this film? When we were working on “On-Gaku: Our Sound,” there was no ...

The 16th Bogotá Audiovisual Market (BAM), unspooling July 14-18, rolls off the success and stability of Colombia's film ...

Animation director Kyohei Ebata also recently posted a cryptic message, which has led to speculations about the anime adapting a serious tone and structure.

With CCO Jared Bush teasing “amazing” 2D work, and Disney legends coming out of retirement to guide artists, hand-drawn animation could soon return ...

Guillermo del Toro is a fan. The Oscar-winning director behind Pan’s Labyrinth, Hellboy, and The Shape of Water, as well as ...

The end and yet… the beginning.” So reads the last shot of the final storyboard for the 1997 series finale of X-Men: The ...

Despite good reviews, the movie marked a new low for Pixar at the box office—a result of audience disconnect, creative ...